If happiness is a choice, then what does it become when compelled? Norman Manea's collection of novellas, Compulsory Happiness, toys with "the institutional optimism" required by a systemic application of communist ideology whose results insist, contrary to physical evidence, on the best life for everyone. These four novellas were written in Romanian
during the deepest murk of the Ceausescu dictatorship. One was
published in Romanian in 1981, the others in German in 1988 or 1989.
They were first collected in a single volume in French.
The novellas do not follow the conventional plot scheme. Instead, the reader is invited inside the head (or perhaps only inside the room) of a person/s living in fear, intellectually bound by an ideology so inconsistent that insanity is not a plea but a mentality. Manea writes with the clean-cut despair of Kafka, but, unlike Kafka, manages to address human relationships and the external world with nostalgia. There are no conclusions or plot resolutions-- only a hovering, contagious terror that poisons the thoughts, loves, relationships, and hopes of its citizens.
In "The Interrogation", a young woman prisoner is tortured and starved as the secret police attempt to get information about her intellectual associates. However, when it is decided that the Plenipotentiary will meet with her, the prison wards immediately feed her caviar and insist that she begin to behave "normally", or at least offer the pretense to "normalcy", for the Plenipotentiary, despite his big name, is very sensitive to that which lies outside the realm of the normal. During the meeting, the Plenipotentiary asks questions and then tells the young prisoner that he is appreciated because his reports come to "an optimistic conclusion, the compulsory optimism, the institutional optimism" required by a system with the pretension to absolute control.
"Composite Biography" takes Ceausescu's infatuation with control to its absurd conclusion-- an systemic attack on "chance", or luck, which does not play into official plans. The novella is lengthy, but the most interesting part occurs when a Comrade proposes that the winners of national lotteries should no longer be selected by lot but, instead, "chosen from deserving citizens" to "avoid the injustices caused by chance". Here we get a frightening view of the central-planning mindset taken to its logical extreme. At this extreme, even luck (not to mention nature) is an enemy of the state, especially if this state mandates happiness.
According to the Comrade, this is "ideologically consistent with the concepts of dialectical materialism regarding the world, life, and the active role of man, who is not subject to fate, but is the master and creator of events".
Did the end of communism usher in a rightful heir in fatalism? After all, if Romanian communism, which purported to uproot fate and empower man, was revealed as a sham, what was left to believe? Clearly the communist experiment dealt a blow to the idea of human agency and responsibility, particularly in creating and sustaining a culture which repeatedly denied both. In "Composite Biography", for example, the protagonist suffers from a "generalized syndrome" which he witnesses in others. He believes this syndrome is due to an inability to make, do, or be anything anymore, since everything is decided by others. The Party members are "Puppets" dancing on their pre-ordained strings; the non-Party members are silent shadows, not real or strong enough to assert physicality. The ultimate goal is "to control chance"-- the become the gods which have been dethroned.
Of course, there is more.... just not in my words:
- The best bio I've found on Manea so far is this one.
- "A Lasting Poison", an article by Manea in which he remarks upon Milan Kundera's claims that communism never happened.
- "Norman Manea on the lasting poison of Stalinism" via podcast.
- Unlike Herbert Mitgang, I think the word "satire" is far too flimsy and loaded with Western regalia to do Manea's work justice. Instead, i prefer to say that he draws on the tradition of using the absurd to convey the problems of meaning and life under totalitarianism.
- Don't miss Michael Shafir's "The Man They Love to Hate: Norman Manea's 'Snail House' Between the Holocaust and the Gulag" in PDF format.
